Fire, Alpaca and Silk Felted Yardage

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For designers, collage artists, fiber artists.  Yardage!  Or is it yARTage?  Alpaca and silk, red, orange, purple, 40" x 32" excluding natural edges on three sides. Perfect for sewing project or embellished for wall art. Display it as is, or cut it up for your own art. Natural edges, vary from 1"to 4" and do not have any silk which makes it nice for felting.  $90     Find it on Etsy!

And Then Purple

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What to do with leftovers?  I felted merino wool and silk using the FeltLOOM, then shibori dyed it in three shades of purple. These were remnants of a larger piece which became a vest. Wanting no waste, I overlapped the long strips and felted them again on the FeltLOOM. Could be worn as is as a scarf or tie, or cut into pieces for your own project. Natural, irregular edges are great for felting. The widest is 5.5”, the narrowest is 2”    
Find it on Etsy

Green Shibori Felted Merino and Silk Tie

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What to do with the leftovers?  It's the same questions with meals.  After I've made something beautiful with the wool I felted on the FeltLOOM I have all these beautiful pieces of fabric.  Truly  there is no not art.  The fabric in pieces is as beautiful as the full piece.  I can't throw it away.  My most recent discovery is to felt these long pieces together using the FeltLOOM.  So fast, yet wonderfully funky, in its own way.  Four inches at the widest part, 2" at the most narrow.  Or cut it up.  It's okay with me, and make your own art!  Order it on Etsy

Wear It or Use It

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Art is Everywhere
Make Art Now





Using your imagination, this could be a funky scarf, made on the FeltLOOM from scraps of leftover shibori dyed felted alpaca and merino wool and silk , or it could be art supplies for making your own art.   The widest part is 6.5”  the narrowest is 1”. The natural edges are alpaca and merino, the body is silk. The art is up to you!
Find it on Etsy

When the Weather Changes Everything Changes

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Joe Pye, the weed, is falling down, he's so heavy, and the leaves are starting to turn, and it took over a week for the remnants of Irene's rain to finally stop.  Hence, the merino wool I dyed several days ago still hasn't dried.  It's always a debate; does the sun or low humidity dry fabric faster?  Since there was no sun, I put the poles inside hoping the dehumidifiers would soak up all the moisture.  They are still damp.  Hopefully the sun will come out soon to speed up the process.  Yesterday I used the FeltLOOM to felt 1/4 pound merino and silk gauze.  Today, in preparation for Julie's wearable art coat, I began my shibori process.  I wrapped the  felted merino and silk around four more poles, tied them with string, scrunched them tight, soaked each one in 1 part vinegar, 1 part water and a dash of synthrapol so they would better absorb the dye.  Another debate; how damp can they still be to not dilute the dye.  I always know when they were too damp by how much dripping there is.  Another fine line.  Sometimes the dripping blends the colors just right.  Julie wants the fire sunset color that I used before, only no fuchsia.   Fire Sunset is a combination of red, orange and purple.  Eliminating pink is tricky since purple contains fuchsia.  I added a little violet to the formula.  We shall see.

Copper Collection

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 It’s a beautiful morning, even if it will reach the upper 90s today.  I painted two 44” x 104” pieces of devore, which have been pole wrapped.  Theresa is going to use these curtains in a protected area on her patio/deck.  There is a hint of purple in the garden so I chose a shade formul of purple, yellow green and yellow orange.  The silk for the serenity scarf is dry, waiting to wrapped in newsprint and steamed.  I also painted two ties in the copper, rust, olive formula.  DJ wants to give one to his friend Kevin.
           

Back to Work

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After two months of disarray due to finishing off the basement I am beginning to get my dyeing station set up again; this time on the back porch; then, eventually in the little cabin.  The walk-in basement is too nice to risk spilling and splashing dye.  Which, no matter how careful I am, always seems to happen.  I know that the porch and cabin will be weather affected.  Like today when it is 100 degrees.   However, I kind of like that.  I have been spending way too much time indoors. 

During this break I have realized how important it is and easier it is to work to finish one step at a time.  When I think about the projects I need to finish, I am overwhelmed and stay too long in the hammock.  When I just think of what silk I have to wrap, or steam, it is manageable and I get to work.

1.        Thinking, visualizing, making notes
2.        Assess supplies and place order if necessary
3.        Iron silks in preparation of wrapping
4.        Make sure poles are clean
5.        Wrap fabric
6.        Mix dyes; make notes
7.        Paint dye onto fabric, and hang tags and let dry
9.        Wrap dried fabric in newsprint
10.       Steam set dyes
11.       Rinse in laundry tub
12.       Wash on delicate cycle
13.       Dry on delicate cycle
14.       Iron and sew
15.       Take photograph      

Today I painted pole-wrapped charmeuse, crepe, devore, and charmeuse with horse images in preparation for a five  piece serenity shawl for the Lexington Art League Reverse Raffle.  I used my rust, copper, olive formulas.
While waiting for those to dry, I’m going to wrap two 44” x 104” pieces of devore that will be curtains for Theresa.
After that I will need to put some thought into what I’m going to do with the wool that I have already felted.

You Are Prolific!

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Got scraps?  Have remnants?  Share them.  Sell them or give them away.  "You are prolific," my painting teacher, Marilyn Hamann, once said.  Sometimes we can hang on and save too much.  Too much stuff can hold us back.  Too much time spent moving it around.  Looking at it, thinking, someday I'm going to use this.....Today, I pack up and send this collection of  handfelted painted shibori alpaca and merino wool to my daughter, Danielle. Can't wait to see what she comes up with!

Rearranging

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I didn't plan to rearrange everything.  It's just that when we decided to finish the basement everything got rearranged.  That's why I'm temporarily not creating.  I don't know where anything is because it has all been tucked away, safely, to avoid paint and drywall dust.  The good thing is that during this process I have realized that I don't want my studio back in the basement.  I want it out in the little cabin that we built to be used as a shed.  I've decided that having my dyeing studio in the basement keeps me in the house too much.  If I'm in the little cabin, then I have to go outside and see the stars, or feel the sun, even if it is hot, and even if the little cabin is hot, it will be worth it.

Art on The Wall, or on the Body

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